Alannah Hopkin | Review of New Paintings | Fenton Gallery | The Irish Examiner | 2003 Another brush with Climent TOM CLIMENT is known for the large scale of his painting, and his new show at Fenton Gallery Cork (Wandesford Quay, February 7 to 28) runs true to form. The largest work, Obscura, is nine feet by five,Continue reading “Alannah Hopkin’s review of New Paintings at the Fenton Gallery in The Irish Examiner | 2003”
Category Archives: Bibliography
Alannah Hopkins’s review of Tom Climent’s exhibition as part of Cork Arts Fest in The Irish Examiner | 2000
Alannah Hopkins | Cork Arts Fest | The Irish Examiner | 2000 Tom shows his strength by hitting the canvas Tom Climent was the featured artist of Cork Institute of Technology’s Arts Fest 200. His new work was at Gallery 44, MacCurtain Street, Cork, and consisted of five large works in oil and acrylic, two series ofContinue reading “Alannah Hopkins’s review of Tom Climent’s exhibition as part of Cork Arts Fest in The Irish Examiner | 2000”
Mark Ewart’s review of Tom Climent’s exhibition as part of Cork Arts Fest in The Irish Times | 2000
Mark Ewart | Cork Arts Fest | The Irish Times | 2000 Now in its eight year, Cork Institute of Technology’s Arts Fest offers a diverse mix of activities including music, literature, theatre and film. On the visual arts front, four exhibitions are each scheduled for rather short runs, including an extremely evocative body of work byContinue reading “Mark Ewart’s review of Tom Climent’s exhibition as part of Cork Arts Fest in The Irish Times | 2000”
Hillary Pyle’s article on the Tom Climent, the Tony O’Malley Award Winner 1998 in The Irish Times | 1998
Hillary Pyle | Tony O’Malley Award Winner | The Irish Times | 1998 Innocent desire of award winner CORK-BASED artist Tom Climent has been announced as winner of the inaugural Tony O’Malley Award at the James Joyce Centre in Dublin. Over 40 painters from north and south of Ireland submitted work to Kilkenny’s Butler GalleryContinue reading “Hillary Pyle’s article on the Tom Climent, the Tony O’Malley Award Winner 1998 in The Irish Times | 1998”
Alannah Hopkins’s review of Dancing Parade at the Triskel Arts Centre in The Sunday Times | 1998
Alannah Hopkins | Review of Dancing Parade | Triskel Arts Centre | The Sunday Times | 1998 To say that Dancing Parade consists of a series of paintings inspired by Degas gives little idea of what an exciting achievement it is. Al the works are, broadly speaking, variations on that familiar image of the ballerina at the barre. Climent’sContinue reading “Alannah Hopkins’s review of Dancing Parade at the Triskel Arts Centre in The Sunday Times | 1998”
Isabel Healy’s review of Dancing Parade at the Triskel Arts Centre in The Irish Examiner | 1998
Isabel Healy | Review of Dancing Parade | Triskel Arts Centre | The Irish Examiner | 1998 Tom Climent’s new exhibition is a move to more subtle work by the popular artist MORE than almost any other artist emerging from Cork, Tom Climent has a loyal following. Even before he graduated from the Crawford College of ArtContinue reading “Isabel Healy’s review of Dancing Parade at the Triskel Arts Centre in The Irish Examiner | 1998”
Ciara Ferguson’s review of Pure at the Temple Bar Gallery & Studios in The Sunday Independent | 1997
Ciara Ferguson | Review of Pure | Temple Bar Gallery & Studios | The Sunday Independent | 1997 Celebrating Climent One could be suspicious of the amount of hype surrounding 27-year-old Cork artist Tom Climent. After all this is his first show in Dublin and he is only two years out of the Crawford College. But thatContinue reading “Ciara Ferguson’s review of Pure at the Temple Bar Gallery & Studios in The Sunday Independent | 1997”
Marion McKeone’s review of Pure at the Temple Bar Gallery & Studios in The Sunday Business Post | 1997
Marion McKeone | Review of Pure | Temple Bar Gallery & Studios | The Sunday Business Post | 1997 Terse? Grim ? Tom ? No Those in search of the heady, sultry feel that kinder climates evoke shouldn’t rely on the cantankerous Irish climate; a visit to the Temple Bar Gallery and Studios next week is aContinue reading “Marion McKeone’s review of Pure at the Temple Bar Gallery & Studios in The Sunday Business Post | 1997”
Brian Fallon talks to Tom Climent, the young painter he nominated to exhibit at the Temple Bar Gallery, and last year’s winner of the Victor Treacy Award in The Irish Times | 1997
Brian Fallon | Pure | Temple Bar Gallery & Studios | The Irish Times | 1997 Brian Fallon talks to Tom Climent, the young painter he nominated to exhibit at the Temple Bar Gallery, and last year’s winner of the Victor Treacy Award. Tom Climent’s one man exhibition is virtually his introduction to Dublin viewers; his careerContinue reading “Brian Fallon talks to Tom Climent, the young painter he nominated to exhibit at the Temple Bar Gallery, and last year’s winner of the Victor Treacy Award in The Irish Times | 1997”
Tina Neylon’s article The picture tells a story on Tom Climent in The Irish Examiner | 1996
Tina Neylon | The Irish Examiner | 1996 The picture tells a story TOM CLIMENT is only 26, yet is beginning to make a mark for himself as a painter. I was studying engineering and attending night classes in painting at the same time, when suddenly it just seemed to make more sense,” he says.Continue reading “Tina Neylon’s article The picture tells a story on Tom Climent in The Irish Examiner | 1996”