tomcliment

Representing Art in Ireland The Fenton Gallery The diversity and dynamism of art in Ireland since the millennium is celebrated in this record of Fenton Gallery art and exhibitions. Beautifully illustrated, Representing Art in Ireland references over 130 contemporary artists and features newly commissioned texts by 34 Irish writers. Published 2008

Between Chance and Rhyme

Between Chance and Rhyme | A new collection of work | 2008 The practice of painting changes in response to contemporary trends, however there are painters who reflect contemporary moods while retaining the qualities of traditional painters. Tom Climent is a painter who is skilled with the use of both paint and brushes. Tom’s early workContinue reading “Between Chance and Rhyme”

Hansels House

Kevin Kavanagh Gallery 2007 Tom Climent Hansels House Kevin Kavanagh is pleased to present Hansels House an exhibition of four large paintings by Tom Climent Hansel’s House is a return to the subject matter of earlier works in which Climent explored interior space. Climent’s new paintings, influenced by the Dutch Painters particularly Vermeer, suggest a narrative by theContinue reading “Hansels House”

Vera Ryan’s essay; An Artist in the Painterly Tradition, on Tom Climent for Decade ( A retrospective catalogue published in 2006)

Vera Ryan | An Artist in the Painterly Tradition | Essay for Decade ( A retrospective catalogue published in 2006) Tom Climent’s stunning degree show in 1995 showed great promise. Many degree shows do that but not every graduate is able to susain their practice or their promise. Nonetheless, many people were quietly optimistic about Tom andContinue reading “Vera Ryan’s essay; An Artist in the Painterly Tradition, on Tom Climent for Decade ( A retrospective catalogue published in 2006)”

Brian Fallon’s introduction to Decade (A retrospective catalogue published in 2006)

Brian Fallon | Introduction to Decade (A retrospective catalogue published in 2006) TOM CLIMENT is a highly individual artist, still relatively youthful, who is rather out of step with current fashion and is all the better for that. Instead of playing cerebral games with his material, he paints for the love and also – I should sayContinue reading “Brian Fallon’s introduction to Decade (A retrospective catalogue published in 2006)”

Nikki Walsh’s article Rising Stars (Just who will be the big names in tomorrow’s art world ) in Select Magazine | 2005

Nikki Walsh | Rising Stars | Select Magazine | 2005 Just who will be the big names in tomorrow’s art world? Predicting who will make it in the art world isn’t easy. When we approached Nuala Fenton of the Fenton gallery, Kevin Kavanagh of the Kevin Kavanagh gallery, auctioneer and valuer Ian Whyte and portraitist James HanleyContinue reading “Nikki Walsh’s article Rising Stars (Just who will be the big names in tomorrow’s art world ) in Select Magazine | 2005”

Tom Climent/Sarah Walker

Fenton Gallery 2004 Tom Climent/Sarah Walker Tom Climent who has previously drawn influences from Spanish art historical references, has spent several months living in Spain over the last few years. Usually known as a studio painter of large format works, last year saw Climent working outdoors, painting from the roof of his house in Spain whichContinue reading “Tom Climent/Sarah Walker”

Mark Ewart’s review of New Paintings at the Fenton Gallery in The Irish Times | 2003

Mark Ewart | Review of New Paintings | Fenton Gallery | The Irish Times | 2003Over a relatively short period of time, Tom Climent has achieved a considerable amount as a painter, picking up a number of high-profile plaudits along the way. What is most striking about Climent’s paintings is the way in which they declare aContinue reading “Mark Ewart’s review of New Paintings at the Fenton Gallery in The Irish Times | 2003”

Alannah Hopkin’s review of New Paintings at the Fenton Gallery in The Irish Examiner | 2003

Alannah Hopkin | Review of New Paintings | Fenton Gallery | The Irish Examiner | 2003 Another brush with Climent TOM CLIMENT is known for the large scale of his painting, and his new show at Fenton Gallery Cork (Wandesford Quay, February 7 to 28) runs true to form. The largest work, Obscura, is nine feet by five,Continue reading “Alannah Hopkin’s review of New Paintings at the Fenton Gallery in The Irish Examiner | 2003”